SLEAFORD MODS
LIAM GALLAGHER
IGGY POP
Finally, upon leaving the venue, after a very long time, I succumbed to temptation and bought some of the "dirty" food that was being sold outside.
SETLIST:
01. Suburbia
02. Can You Forgive Her?
03. Opportunities (Let's Make Lots Of Money)
04. Where The Streets Have No Name (I Can't Take My Eyes Off You)
05. Rent
06. I Don't Know What You Want But I Can't Give It Any More
07. So Hard
08. Left To My Own Devices
09. Domino Dancing
10. Love Comes Quickly
11. Losing My Mind
12. Always On My Mind
13. Dreamland
14. Heart
15. It's Alright
16. Vocal
17. Go West
18. It's A Sin
Encore:
19. West End Girls
20. Being Boring
More than two weeks after my first Release Athens Festival 2022 gig, it was now time for the second one. The headliners were London Grammar. London Grammar were due to appear at Release Athens Festival 2018, but they had to cancel at the last minute. So, Richard Ashcroft was called in to replace them and I went because I wanted to see him. And now that London Grammar were finally due to perform in Athens, a friend of mine asked me to go with her because she really wanted to see them since she hadn't been able four years ago. I was reluctant at first, not being familiar with the band, started to think about it again when LP was added to the line-up, but was finally convinced when the next addition to the bill were Hooverphonic. Now, I had seen Hooverphonic twice before (the second time in their native Belgium), but this time it was different. The original singer, the amazing Geike had come back. I really had to see her. And so I bought the latest CD from London Grammar (that's what I do, I don't stream, I'm old-school) in order to familiarize myself with their music.
I took my brand new camera with me (this was the concert where it would make its debut) and we arrived at Water Square a little before Hooverphonic were due to appear. Not a lot of people had arrived by that time so I was able to see them from quite up close. All the favourites were played including my own favourite song of theirs, "Sometimes" (the song with which I discovered them) which I was finally able to hear in a proper version (compared to the acoustic one I heard back in 2014) and "The Wrong Place" Belgium's entry on the 2021 Eurovision Song Contest.
Next up was LP. I, as like most people in Greece, got to know her through "Lost On You" and I'm mostly familiar with that song. Her later songs probably didn't get as much promotion. The start of the set was great, but we got tired after a while, probably because we weren't very familiar with most songs and partly because maybe this wasn't the right slot for her in the line-up. I believe Hooverphonic would have been more suitable to appear before the headliners because their music seems to "gel" more with that of London Grammar. (And perhaps she would have fit the bill better a few days later with Liam Gallagher and Iggy Pop). So we moved towards the back of the crowd on order to combine the alcohol we had brought from home with the cokes that were offered at the festival.
Anyway, it wasn't her fault and she was very energetic on stage, closing the set with the song most people expected to hear: "Lost On You".
And then it was time for London Grammar and the occasion that I had hoped to avoid. We realized that we had the chance to get really close to the stage. So what should we do? Well, we wore our masks. We noticed that there were other people doing the same thing and nobody was looking at them in a strange way, so we went for it.
This was the band's first gig outside the UK for three years (due, of course, to the pandemic) and they enjoyed it as much as we did. They played mostly songs from their latest album and that was alright with me because these were the ones I was mostly familiar with.
By the time my second Release Festival date ended and we started to walk towards the bus stop that would take us to the city center, one thing was certain: London Grammar had a new fan now!
SETLISTS:
HOOVERPHONIC
01. You Love Me to Death
02. The Wrong Place
03. Vinegar & Salt
04. 2Wicky
05. Sometimes
06. Anger Never Dies
07. Romantic
08. Eden
09. Jackie Cane
10. The Night Before
11. Expedition Impossible
12. No More Sweet Music
13. Lift Me Up
14. Badaboum
15. Mad About You
LP
01. When We Touch
02. Goodbye
03. Girls Go Wild
04. Everybody’s Falling In Love
05. When We're High
06. Yes
07. How Low Can You Go
08. The One That You Love
09. Can’t Let You Leave
10. Muddy Waters
11. My Body
12. Safe Here
13. No Witness
14. Strange
15. Special
16. Dreamer
17. One Last Time
18. Lost on You
LONDON GRAMMAR
01. Californian Soil
02. Missing
03. Hey Now
04. Lord It's a Feeling
05. Talking
06. I Need The Night
07. How Does It Feel
08. Baby It's You
09. Big Picture
10. Hell To the Liars
11. Wasting My Young Years
12. Strong
13. Metal & Dust
Encore:
14. Lose Your Head
15. Lose Your Head (Camelphat Remix)
I was still nervous about going to a festival and mingling with huge crowds of people. However I had decided that four dates of this year's Release Athens Festival were the ideal ones for me to return to proper concerts. The idea was this: They were open air gigs, the pandemic had somehow slowed down, so all I had to do was not go to the very front and experience them from somewhere at the back. The only thing that I insisted on was that I was not going to buy the tickets until the very last minute. You see, most of these acts had been announced for 2020 (Bauhaus and Pet Shop Boys for instance), then postponed for 2021 and then again rescheduled for 2022. That wasn't the main problem though. What was annoying was that the people who had bought the tickets back in 2019 were not offered a refund. What they got instead was the promise that their tickets would remain valid for the date the gig actually took place. Whereas the money I had paid for a festival at London's Hyde Park was refunded to me up to the very last penny. Plus I couldn't be sure, even if most concerts went ahead that the ones I had selected would actually take place because what we've seen a lot this year was that if one member of a band tested positive the whole date was cancelled.
I had actually contemplated going to see Still Corners earlier in the year, but I backed out of it because it was at an indoor venue. So, I narrowed it down to four Release Athens festival dates: Bauhaus, London Grammar, Pet Shop Boys and Iggy Pop. An additional thing that also helped was that there were some "two-day"
ticket offers costing cheaper than buying two single tickets for the
same dates instead. So, I bought one two day ticket for Bauhaus and Iggy Pop, and another one for London Grammar and Pet Shop Boys.
When I arrived at Water Square, I realized I could go ahead with my plan: Get in, not wear a mask and stay at the back. It helped, because there weren't as many people there that day as on other dates even though I didn't arrive early because all I wanted to see was just The Jesus And Mary Chain and Bauhaus. When I did get in, it was like not one day had passed since 2019. I met most of my friends that I usually meet at gigs at Water Square, most of whom I hadn't seen since 2019.
The Jesus And Mary Chain finally started their set. I had seen them at the exact same place five years ago, back in 2017. Although I preferred the setlist they played back in the day, all the favourites were still here.
And then it was time for Bauhaus, the main reason I went to the gig. Their date had also been announced three years ago for 2020 and I had thought of going even then. I remember listening to Bauhaus and The Birthday Party on the radio and reading about them in POP + ROCK magazine during the early eighties. And since I managed to see Nick Cave four years ago (who in the intervening years had become extremely popular in Greece), I also wanted to see Bauhaus.
Now, I knew beforehand that their set wasn't going to be very long. But as everybody knows by now those sound problems came up, irritating Peter Murphy and cutting their set even shorter. He left the stage during Ziggy Stardust leaving his guitarist to finish the song. However, all the songs I wanted to hear were played (Telegram Sam, She's In Parties, Ziggy Stardust and a couple of others). Because of that, unlike others, I'm not going to complain or ask for my money back because I've seen what I wanted to see, I've experienced what I wanted to experience.
THE JESUS AND MARY CHAIN
01. Amputation
02. Head On
03. I Love Rock 'N' Roll
04. April Skies
05. Come On
06. Moe Tucker
07. Taste Of Cindy
08. Snakedriver
09. Teenage Lust
10. Cracking Up
11. Halfway To Crazy
12. Far Gone And Out
13. Nine Million Rainy Days
14. Some Candy Talking
15. Darklands
16. Just Like Honey
17. All Things Must Pass
18. Reverence
BAUHAUS
01. Rosegarden Funeral Of Sores
02. Double Dare
03. In The Flat Field
04. A God In An Alcove
05. In Fear Of Fear
06. Stigmata Martyr
07. She's In Parties
08. Kick In The Eye
09. Bela Lugosi's Dead
Encore:
10. Telegram Sam
11. Ziggy Stardust