I had already bought all the tickets for the summer concerts I wanted to attend that year when I noticed this one. I wasn't craving much to see Billy Idol (apart from "Eyes Without A Face" of course), maybe it was The Stranglers I wanted to see more (even without Hugh Cornwell)
I arrived while The Stranglers had already started playing for fifteen minutes. They were good, but to me they looked strange without Hugh. Thankfully, I had already seen them with their original line up back in 1985 at the by now famous Rock In Athens festival.
Billy Idol was the big surprise, however. With his guitarist, Steve Stevens who has been with him since the 80's. He started "quietly" one might say, performed "Eyes Without A Face", while it was obvious that he had had a few ("too much f***ing Greek wine", he said). He had kept his strongest tracks for the end, though: Rebel Yell, White Wedding, Mony Mony, Dancing With Myself. He even performed King Rocker from his Generation X days. And he managed to excite the Greek audience. Unbelievable! I never imagined that I would have such fun at a Billy Idol concert.
And while Stevens was playing his guitar solos, Billy was taking time
off by going to the side of the stage in order to make out with his girlfriend!
(The fact is that the aforementioned girlfriend looked young enough to
be his daughter!)
SETLISTS: THE STRANGLERS 01. 5 Minutes 02. Walk On By 03. Always The Sun 04. Golden Brown 05. All Day And All Of The Night 06. Nice 'N' Sleazy 07. No More Heroes 08. Peaches 09. Skin Deep 10. Duchess BILLY IDOL 01. Ready Steady Go 02. Love Is Strange 03. Dancing With Myself 04. Flesh For Fantasy 05. Scream 06. Twenty Flight Rock 07. To Be A Lover 08. Sweet Sixteen 09. Eyes Without A Face 10. Kings And Queens Of The Underground 11. L.A. Woman 12. Don't Shoot The Messenger 13. King Rocker 14. Running With The Boss Sound 15. Rebel Yell Encore: 16. White Wedding
30 years after Rock In Athens 85, The Stranglers were back in Greece. They had been back several times of course, one of them was 5 years ago when I had seen them playing with Billy Idol. This time it was going to be a bit different and more personal, since, having arrived at Fuzz Club early, I managed to secure a place at the very first row (As I did the last time at Fuzz Club with Saint Etienne).
A few minutes later we realized that we were standing next to the grandmother of the lead singer of MOAN, the support band. She gave us some information on the band which made us more eager to see them. Eventually we got to meet both her mother and the singer herself!
And indeed Moan were a lovely an unexpected surprise. Fronted by Olga-Maria with her amazing voice and stage presence they are immediately classified as "indie" or "alternative". Her voice reminded some of Bjork, my opinion is she has that cat-like voice which reminds me not only of Bjork but of several other female singers (Mazzy Star comes to my mind. Or The Primitives). On top of that, hers is not the only lead voice in the band as you can see from the video. They played for about half an hour and I can say that they were amazing and a great warm-up for the main event.
Then The Stranglers came on stage. First things first: The absence of Hugh Cornwell is obvious as I had first noted 5 years ago. More than obvious in fact. It's not that Baz Warne is a bad vocalist, it's just that his voice is different to the one we were used to all those years ago. He pulls it through though in my opinion, that's what made the gig enjoyable, I have to admit though he's probably an acquired state since there are a lot of fans out there who dislike the "new look" Stranglers.
Let's not forget though that Jean-Jacques Burnel still has his share of lead vocals as he did back in the 70's and 80's.
Oh, and another thing: Jet Black was absent as well, apparently because of his "rock'n'roll excesses" of the past...
So what did we get? The older favourites such as "Nice 'N' Sleazy", "Peaches", "(Get A) Grip (On Yourself)" and "Golden Brown" where Baz and Jean-Jacques faked being overwhelmed by nostalgia and stared crying which turned to gales of laughter after a new seconds.
Then there were the later favourites like "Skin Deep" and "Always The Sun".
But also their 21st century songs like "Norfolk Coast".
And finally their favourite cover versions "Walk On By" and "All Day And All Of The Night" to top them all off.
And they loved us so much they gave us not one, but two encores! To recap, I really did enjoy it this time, much more than 5 years ago when I didn't catch them from the beginning of their set and I was at the back of the arena. And they brought back memories of an era that was "unforgettable" as an friend from school characterized it when commenting about my Rock In Athens 85 post. I know it's not healthy to live in nostalgia, but there you go. Maybe I will now withdraw to a corner and start crying like Baz and Jean-Jacques did... NOT!
SETLIST:
01. Intro (Waltzinblack) 02. Toiler on the Sea 03. Straighten out 04. (Get A) Grip (On Yourself) 05. I've Been Wild 06. Relentless 07. Nice 'N' Sleazy 08. Golden Brown 09. Always the Sun 10. Five Minutes 11. Freedom is Insane 12. Time to Die 13. Norfolk Coast 14. I Feel Like a Wog 15. Skin Deep 16. Peaches 17. Time Was Once on My Side 18. Lost Control 19. Duchess 20. Hanging Around Encore: 21. Walk On By (Dionne Warwick cover) Encore 2: 22. All Day and All of the Night (The Kinks cover) 23. No More Heroes
What we're going to do right here is go back. Back into time. 30 years in fact. A "Throwback Thursday" kind of thing. 30 years ago, In July 26 and 27 of 1985, the first major rock festival took place in Greece. Rock concerts in Greece until then had a very short history. The first one was in 1967 by The Rolling Stones which was disrupted by the police. 4 days later there was a coup and a military junta took place which lasted for 7 years. Because of that, the next rock concert took place 13 years later in 1980 by The Police. From that moment on, bands and artists started playing in Greece, including The Boomtown Rats, Roxy Music and, in what is believed by many to be the greatest rock concert at that time, Rory Gallagher.
Rock In Athens though was the first festival to take place featuring 8 different artists spread over two days. The correct line up, in order of appearance was this:
DAY 1 (26 July 1985)
Telephone
The Stranglers
Depeche Mode
Culture Club
DAY 2 (27 July 1985)
Talk Talk
The Cure
Nina Hagen
The Clash
I am stressing the word "correct" here because most blog posts dedicated to this festival are listing a wrong line up, copied from the initial festival poster which was wrong. Makes you wonder if these bloggers were actually there... This poster also mentions "Musical Brigades" (Mousikes Taxiarchies), a Greek band who refused to appear.
However, by searching through the internet, I was able to find a lot of visual and audio material from the festival, partly due to the fact that most of the festival was filmed and was broadcast (in... installments) by Greek state television (ERT). Depeche Mode and The Clash refused to be filmed so there are no videos of them. Somebody in the audience though did record the Depeche Mode set, so there is audio material from that. I don't know if the Nina Hagen set was taped, but I only managed to find backstage footage of her from the television documentary. Finally I managed to find only one (1) photo of The Clash from that night. (While researching this post I found more, but still no visuals from Depeche Mode).
Day 1 was therefore opened by Telephone, a French band, quite popular in their country at that time. This had probably something to do with the fact that the main organizers was a French company ("Nouvelles Frontieres"). At that time, I knew only one of their songs which was featured in a Greek compilation LP (and they didn't play it). Before they came "officially" on stage, they were soundchecking in front of the crowd which was mostly indifferent causing one of them to shout "You treat us like shit, and we will do the same to you".
Next though were The Stranglers. Back then they had a "bad boys" reputation. In fact they were scheduled to appear in Athens 3 years before but they cancelled because they were arrested in France (or something like that). Theirs was a great set consisting of new (at that time) and old songs which were the crowd favourites. All three singles from their then current album "Aural Sculpture" were played ("No Mercy", "Skin Deep" and "Let Me Down Easy"), those from their previous one "Feline" ("Midnight Summer Dream" and "European Female") and older classics (like "Nice N' Sleazy" featuring a long instrumental intro that made it sound like a 12'' version). We had a great time even though the band were insulting the audience between songs (they told a particularly nasty joke about how you can tell the difference between Greek boys and all other boys which I will definitely NOT repeat here). Thankfully the level of English among the concertgoers was not that good so they did not understand the jokes anyway. Unfortunately The Stranglers' bad reputation caught up with them again, when we noticed black smoke rising from outside the venue. We did not pay that much attention inside but we learned later that they were riots between the police and people who wanted to get in for free (That was a common occurence in rock concerts in Greece at that time).
A few cars were burned and they did let some people in at the end something which was to prove catastrophic when the time came for Culture Club to appear. But more of that later...
Next up were Depeche Mode who back then were more electronic than they are now. A very tight set with lots of hits the highlights of which were "Shake The Disease", "Blasphemous Rumours", "Everything Counts" and of course "Just Can't Get Enough" as the finale where Dave Gahan was rubbing the mike stand between his legs while many people were claiming that he was singing "Just can't get it up" instead... I was worried about how the crowd was going to react when they realized that Martin Gore was wearing a black leather dress. They were probably confused and a bit perplexed but there was no indication of what was going to happen next...
Just at the stroke of midnight Culture Club came on stage. And then all hell broke loose! The crowd started throwing water bottles, wood planks and rocks at them, specifically aiming for Boy George. After his initial surprise he started making fun of the situation: "If I wasn't a lady I would have shown you my ass!" he told them. Meanwhile the bass player was playing bass with one hand only, using his other one to give the middle finger to the audience. I still remember the Kipper Williams cartoon in the next issue of Smash Hits where Boy George is pictured trying to dodge the stones while holding an English-Greek dictionary and shouting "ouchos! ouchos!". There was also a Sun or Daily Mirror front page the folowing Monday "Fans stone Boy George". To their credit the band completed their set (no encore of course) since there were many people among the audience who had come to see specifically them, singing the hits like "Karma Chameleon" and an amazing rendition of "Black Money".
It was later said that the organizers shouldn't have mixed up bands like The Stranglers and Culture Club in the line up. Greek rock fans have a long tradition of slagging off pop bands, or those that are not deemed "rock enough" for them, but this was probably not the complete truth in this case. It was clearly a homophobic reaction. Greek society back in the 80's was not very tolerant towards different sexual orientations (and towards other things but this is clearly a different discussion). As another blogger has said, perhaps the "revolutionary liberal young rock Greek crowd" of the 80's wasn't as revolutionary or as liberal as they claimed to be. I still believe that Culture Club should have played a stand-alone concert, on their own.
That was all for day 1, day 2 was much more peaceful. First on stage were Talk Talk who had a big hit in Europe at that time with "It's My Life", but they were still not very successful in their home country, the UK. My favourite song though (and probably the highlight of their set) was "Such A Shame".
Next up were The Cure and what can I say, I feel privileged to have seen them at that stage in their career. Probably every song in their set was a highlight, where do I start? "A Forest", "The Walk", "Let's Go To Bed". My favourite was "A Forest" though probably because a local band consisting of some school friends of mine used to play it in their set.
Next up was Nina Hagen. This was more of a show rather than a gig. From what I remember she had come to Greece before, probably for a concert of a TV appearance, I can't remember which. At that time I only knew "Universal Radio" the single from her then current album "Nina Hagen In Ekstasy" as did most of the crowd who were singing along with its "talking to myself" hook line (and urging her to "take her clothes off" throughout her set). That album though did feature a very nice cover of "Spirit In The Sky" which would, in the following year become a huge hit for Doctor And The Medics.
After the Nina Hagen set was over I took a walk around the arena. There were several people sleeping and others had lit fires, all waiting for the main event: The Clash. If I said before I was privileged to have seen The Cure what can I say about The Clash? And as I found out years later this was the last ever Clash appearance. I am proud to have witnessed such an important part of history!
It was 1:15 am when The Clash came on stage. Mick Jones had long ago left the band but Joe Strummer was there and their sound had gone back to their punk beginnings. I remember they played a punk rock ultra-fast version of "Rock The Casbah" and they did NOT play their commercial hit, what most people were waiting to hear "Should I Stay Or Should I Go".
When it was all over it was around 3am and I had to go back home and catch only a wee bit of sleep, since early next morning I was leaving for a working holiday in Corfu. When I came back in the autumn The Clash released a new single "This Is England" and an album "Cut The Crap" but as a live band they took their last bow in the early morning hours of the 28th of July 1985 in Athens...
SETLISTS:
The Stranglers
01. Nice 'N' Sleazy 02. Hanging Around 03. Bitching 04. I Feel Like a Wog 05. Uptown 06. Dead Ringer 07. No Mercy 08. Souls 09. Skin Deep 10. Let Me Down Easy 11. Golden Brown 12. Midnight Summer Dream 13. European Female 14. Strange Little Girl 15. Down in the Sewer Encore: 16. The Raven
Depeche Mode
01. Master and Servant (Intro)
02. Something to Do 03. If You Want 04. People Are People 05. Leave in Silence 06. Shake the Disease 07. Blasphemous Rumours
08. Told You So 09. Master and Servant 10. Everything Counts Encore: 11. Photographic 12. Just Can't Get Enough
Culture Club
01. I'll Tumble 4 Ya 02. It's a Miracle 03. Heaven's Children 04. God Thank You Woman 05. Time (Clock of the Heart) 06. (Your Love Keeps Lifting Me) Higher and Higher (Jackie Wilson cover) 07. Karma Chameleon 08. Gusto Blusto 09. Black Money 10. Do You Really Want to Hurt Me? 11. Victims
Talk Talk
01. Talk Talk 02. It's My Life 03. Tomorrow Started 04. My Foolish Friend 05. Does Caroline Know? 06. Dum Dum Girl 07. Such A Shame
The Cure
01. The Baby Screams 02. Play for Today 03. Secrets 04. Kyoto Song 05. The Hanging Garden 06. In Between Days 07. Primary 08. Cold 09. Let's Go to Bed 10. The Walk 11. One Hundred Years 12. Give Me It 13. A Forest Encore: 14. Three Imaginary Boys 15. 10:15 Saturday Night 16. Killing an Arab 17. Forever
Nina Hagen
01. Ekstacy Drive 02. New York, New York 03. African Reggae 04. My Way (Claude François cover) 05. Beat It
06. Carmen Encore:
07. The Ballroom Blitz (The Sweet cover)
The Clash
01. North and South 02. Straight to Hell 03. (White Man) In Hammersmith Palais 04. Janie Jones 05. Safe European Home 06. Hate & War 07. The Guns of Brixton 08. Pressure Drop 09. The Magnificent Seven 10. Bankrobber 11. Police on My Back (The Equals cover) 12. Johnney Too Bad 13. Brand New Cadillac (Vince Taylor and His Playboys cover) 14. White Riot 15. I Fought the Law (The Crickets cover)
Όταν είχα πλέον βγάλει όλα τα εισητήρια για όλες τις καλοκαιρινές συναυλίες που ήθελα να πάω πρόσεξα και αυτήν. Δεν καιγόμουνα και πολύ για Billy Idol (εκτός από το Eyes Without A Face), ίσως λίγο περισσότερο για Stranglers, έστω και χωρίς τον Hugh Cornwell. Έφτασα στους Stranglers με μόνο ένα τέταρτο καθυστέρηση (η αιτία ήταν ένας καινούργιος μουσικόφιλος ηλικίας μόλις 12 ωρών και οι τεκίλες που ήπιαμε στην υγειά του, αλλά χαλάλι του). Καλοί λοιπόν οι Stranglers, αλλά όπως είπα και παραπάνω, χωρίς Hugh. Ευτυχώς τους είχα ήδη δει, με την πλήρη τους σύνθεση, το μακρινο 1985 στο θρυλικό Rock In Athens festival.
Την έκπληξη όμως την έκανε ο Billy. Με τον κιθαρίστα του τον Steve Stevens ο οποίος ήταν μαζί του από τότε. Ξεκίνησε χαλαρά, είπε και το Eyes Without A Face, ενώ ήταν φανερό ότι ο άνθρωπος ήταν λιώμα (too much f***ing Greek wine, όπως ο ίδιος ομολόγησε). Είχε όμως κρατήσει τα πιο δυνατά του κομμάτια για το τέλος: Rebel Yell, White Wedding, Mony Mony, Dancing With Myself. Μέχρι και το King Rocker είπε από την εποχή που ήταν στους Generation X. Και κατάφερε να ξεσηκώσει το Ελληνικό κοινό. Απίστευτο! Δεν φανταζόμουνα ποτέ ότι θα δω τόσο κέφι σε συναυλία του Billy Idol. Στα δε σόλο του Stevens πεταγόταν μέχρι το πλάι της σκηνής και χαμουρευόταν την κοπέλα του. Άξιος! (Το γεγονός βέβαια ότι η κοπέλα φαινόταν ότι θα μπορούσε να ήταν και κόρη του, το αφήνο ασχολίαστο)
I had already bought all the tickets for the summer concerts I wanted to attend that year when I noticed this one. I wasn't craving much to see Billy Idol (apart from "Eyes Without A Face" of course), maybe it was The Stranglers I wanted to see more (even without Hugh Cornwell) 
