Showing posts with label Death Disco. Show all posts
Showing posts with label Death Disco. Show all posts

Wednesday, 6 June 2018

Chameleons Vox live in Athens


The first 3 gigs of 2018 were all electro gigs, as I mentioned on my previous post, the last of them being Kid Moxie at Death Disco. The 4th one, even though it was not an electro one, was also at Death Disco. And it was pulled straight out of the 80's Manchester scene. Chameleons Vox aren't the original Chameleons of course. It's just their lead singer, Mark Burgess, with "whoever wants to play with him". But how did I get into the Chameleons? Back in the day (somewhere around 1984) a schoolfriend lent me their "Script Of The Bridge" album (along with "The Crackdown" by Cabaret Voltaire and the 12 inch of "Paris Latino" by Bandolero - yeah, I know, whatever) and forgot to ask me to give it back. I remember listening to the record and enjoying it because "there was so much music in there". What I was referring to was that its duration was around 55 minutes. So, if you liked that kind of music there was lots of it on the album for you to enjoy. The problem was of course, that vinyl records didn't really sound that good if they were over 45 minutes. I remembered that when the weekend before the gig I dug the record out, to listen to it again. I realized then that i probably needed to buy the remastered CD in order to enjoy their music in full.

On the night, which was sold out, they played songs from "Script Of The Bridge" but also from some of their later albums.

I enjoyed it thoroughly, probably because I was at the front of the stage. But there was a catch to that. I was also in front of one of the speakers.

I did not realize it then, but my hearing did suffer as I got out of the venue. On the train home I couldn't hear all the sounds clearly, and I was also hearing some sounds (sort of "beep, beep, beep") that weren't actually there. It took 48 hours for my hearing to come back to normal. It was probably worth it, but I'm not going to do this again. So, don't try this at home kids, you have been warned...

Wednesday, 30 May 2018

Kid Moxie - finally - live!


As it turned out, my first 3 gigs of 2018 were all electro gigs. The first one was Erasure, the second one Kraftwerk, and the third one turned out to be Kid Moxie.
It's funny how one gets to discover new acts in the internet age. I discovered Kid Moxie via Marsheaux. How did that happen? Well, many years ago she released her "Selector" album on UNDO Records, the same record company that Marsheaux release their music. When I saw that CD on the UNDO Records online store I decided to investigate. The fact that the CD contained a "Marsheaux Remix" of one of the songs was a plus. So, I bought it immediately without listening to a single note of it first (We used to do that often before the internet, you know). I wasn't disappointed. Her next album, 1888, was even better and, since I'm a "physical format" kind of guy I was happy when she finally released her latest, "Perfect Shadow" on CD. But, the question was, would I ever see her live? I had seen Marsheaux a few times, so why not Kid Moxie? From what I could tell, she hadn't played any gigs. But finally, earlier this year, an announcement came on her Facebook page: "Stay tuned for live gigs in Greece later this year". The first one, was, predictably on a Monday, when I could not go because I was working. But this, the one at Death Disco was taking place on a Thursday and I could go after work.
So, there I was on the 29th of March, trying to catch as much of the support act as possible who were starting earlier. And that's funny, because, Someone Who Isn't Me (the support band) was another discovery for me. I may have discovered Kid Moxie through Marsheaux, but I can now say that I discovered Someone Who Isn't Me through Kid Moxie.


Their latest single, "Gomenaki", is probably the best thing I have heard this year so far.
And one of their members was a familiar face. If I am not mistaken she used to be in The Berlin Brides.
Kid Moxie's set was next. She and her band, started with Lacuna, my favourite song from "1888" accompanied by projections on a big screen behind the stage.
There were a couple of sound problems (sometimes her voice was louder than the instruments, and at other times the instruments were louder than her voice, at least from where I was standing), but these were soon smoothed out.



And she had a big surprise for us towards the end: a cover version of "Big In Japan".

All in all, it was a wonderful night and she will appear live again, at the Release Festival in a few days. I don't know if I can make it yet, but it's certainly worth it.

Monday, 3 August 2015

I dream of Death Disco


It was 13 months after their last appearance at Death Disco and Marsheaux were back at that small Athens club in order to celebrate its 2nd birthday. The difference this time was that they had just released a cover album. Not a "covers album" but a cover album of "A Broken Frame" by Depeche Mode. My vinyl copy had not yet arrived, but most of the tracks were out there on the internet on YouTube and SoundCloud. I could listen to them if I could. But I was in a dilemma. Would I go ahead and listen to them, or should I listen to my Depeche Mode vinyl first in order to refresh my memory, then listen to the Marsheaux vinyl and compare them track-by-track? In the end, I decided to go with a third option. to listen to the songs live first.

The reviews I had read up until that point were all favourable, but some insisted that it would be weird to hear some of these songs (especially "Leave In Silence") by female voices. I can assure you that there was nothing weird about it and even before I had heard a single note I knew that the songs on "A Broken Frame" were ideal for female voices, especially those of Marianthi and Sophie. And to keep everybody happy the "oh-oh-oh-oh-oh-oh"'s on the intro were sung by a male. Nick of Fotonovela, while playing synths at the back with George!

The setlist consisted of several songs from "A Broken Frame" but also some of their own songs. The crowd was singing along especially on "Leave In Silence" and "See You" as was expected since these are well-known and loved Depeche Mode songs (even if DM won't play them live anymore) but the biggest sing-along and party atmosphere was experienced during one of their own songs "I Dream Of A Disco", with lots of baloons flying around! 
What I was curious to hear though was the instrumental. "Nothing To Fear" is one of my two favourite synth-pop instrumentals (the other one is "Moon Over Moscow" by Visage). Would they play it? Yes, they did, during the encore. 
And they made it sound a bit different from the DM original, yet still familiar. And that's what I loved about the Broken Frame covers. That they have some different arrangements so that they don't sound exactly the same, only with female vocals.

In short, we all had a great time, the club was packed and the party continued until the early morning hours. Happy Birthday Death Disco and we hope to see Marsheaux there again next year!



SETLIST: (Corrected)
01. Secret Garden
02. Exit
03. Secret Place
04. The Sun And The Rainfall
05. Can You Stop Me
06. Summer
07. See You
08. Alone
09. To The End
10. Satellite
11. Radial Emotion
12. Come On Now
13. Monument
14. I Dream Of A Disco
15. Breakthrough
16. Leave In Silence
17. Inhale
ENCORE:
18. Nothing To Fear
19. Self Control







Thursday, 24 July 2014

Marsheaux Live In Athens 2007-2014


Before we begin, let's go back in time a little bit. As far back as 1988 in fact. Around Christmas. When MTV Europe had first started broadcasting - terrestrially - in Greece. One of the first music videos I watched when I tuned in was "The Promise" by When In Rome.

I really liked the song, but in Britain, where I was studying, it did not exactly set the charts alight. I managed to find it as a 7 inch single in the bargain bin of a record shop for 50p.
A few months later, in the summer of 1989, I noticed another great music video on Sky One which was also being transmitted in Greece: "Pure" by The Lightning Seeds. When I went back to Britain in the autumn I bought the 7 inch single as well. Again, from the bargain bin.

The years went by and we finally reached 2007. These two songs were still among my favourites and I thought I was the only person in Greece who remembered them. During that winter however I saw this commercial on TV:

Apparently somebody had covered my beloved "Pure". But who could it (they, actually) be?
I had already heard of Marsheaux since 2003. It was the time when Kylie Minogue had released "Slow" and as I read on Nitro magazine, Marsheaux was a Greek band comprised of two girls, Marianthi and Sophie (that's where their name came from (Mar[ianthi] + S[h]o[phie] = Marsheaux - geddit?) who were also known abroad, enough known so that they were commissioned to remix that particular track. Judging from that article, I could not understand what kind of music they were playing, but since they were doing remixes, I assumed that they played dance music (what we would now call EDM).  During that time their first album (E-Bay Queen) was released, but I didn't happen to listen or read anything more.
I heard about them again in 2006, when the Eurovision Song Contest was held in Athens. The Greek Public Television broadcaster (ERT) commissioned various new Greek artists to cover older Greek Eurovision entries. Thiese covers were collected in an album called "Eurorevisions". On this album, Marsheaux covered our 1996 entry "Emeis Forame To Heimona Anixiatika" (tranlslates as "We Wear Spring Clothes During The Winter") originally performed by Marianna Efstratiou. I heard the song, I saw them performing it on TV, but I did not think it was representative of their style. And then I forgot about them again.
Until the BIG DAY came, Friday the 1st of June 2007. That was the day when  OMD (Orchestral Manoeuvres In The Dark) were performing in Athens. You know OMD, those who had a big synth-pop hit in the 80's with Enola Gay. And if you don't know Enola Gay, you may know Electricity (In fact I happen to know some hardcore rock fans who claim they don't like synth-pop, but give it all on the dancefloor whe this song is played at parties). So, Marsheux were supporting OMD that day. Many years before that an OMD concert in Athens was cancelled, so I was determined I was not going to miss them this time. I arrived at the Lycabettus Theatre very early and the doors were still closed. As I was waiting outside I could hear the soundcheck. It was "Empire State Human",  originally by Human League with female vocals. "Who is singing Empire State Human now?" I thought. "In fact, Who remembers "Empire State Human" in the year 2007?" I wondered. "Marsheaux? Is that possible? We'll see"
I got inside when the doors opene and I went and sat at the back. I was not in a very good mood anyway. At some point Marsheaux came up on stage. They started with some downtempo songs of their own.

And suddenly, when the next song started, I heard a synth riff that reminded me of something. What dit it remind me of? "The Promise" by When In Rome. And Marsheaux have covered that? Now? So did that mean that there were other people in Greece who remembered it? That helped my mood to start picking up, but still I could not imagine what would happen next. I heard another synth riff that reminded me of something. What? "Pure" by The Lightning Seeds! So it was Marsheaux who covered it and it was used on that TV spot! At that point I could not hold myself any longer, I got up from my seat, ran down the theatre stairs and went and stood at the first row to enjoy the rest of the concert from there.

And of course I heard "Empire State Human" and "Pop Corn" (an instrumental you must all have heard somewhere) and I started to notice their own tracks that I liked such as "I Dream Of A Disco". So, I finally found out what kind of music Marsheaux played: synth-pop. I went to see OMD and instead I discovered Marsheaux!
The next day I logged on to the internet to learn more about them and to order their CD's.  (their first, "E-Bay Queen" and their second "Peek-A-Boo" which had come out some time before). I ordered them and waited for them to arrive so that I could rip them onto my MP3 player and listen to them during my summer holidays. Of course, thanks to the Greek Postal Service, they arrived after I had come back from my holidays, but there you go.

Just a bit after new year's day 2008, I learned that they started their own (now defunct) internet forum. Through it I found that there were Marsheaux fans all over the world. From Scotland, England, Sweden, Germany, France, even USA - there was a fan from Tampa, Florida, where I used to work in the year 2000!) . And I think I was the only Greek in there! From that forum I also learned that there was still a synth pop scene and about new bands like Parralox, Little Boots and La Roux. And in order for you to get an idea of how well known Marsheaux are outside Greece I will tell you this: When some friends of mine had gone to  Barcelona for a Bruce Springsteen concert in 2008, they sat in a fast-food restaurant to eat and suddenly Marsheaux started blasting through the speakers! And Recently, I found out that there are also fans in Peru.
Around that time when the forum was started, they announced the release of a vinyl-only 7" single "Ghost" (the cover of which glows in the dark!
My second Marsheaux gig was a free one during an event called "Athens Digital Week" on October 18 2008. A little while after that they supported  Roisin Murphy when she played in Athens (but I was abroad)



In 2009 they released their 3rd album, "Lumineux Noir", which contained no cover versions. A very smart move, because otherwise they might have been accused that their success was based on their covers, meaning songs that people are already familiar with. I'll admit it myself that my interest was sparked with their "Pure" and "Promise" covers, but I became a fan when I heard their own songs like "I Dream Of A Disco", "Computer Love", and "Summer" among others. Therefore "Lumineux Noir" stands on its own merit and with no outside help. And according to many fans (myself included), it's their best album ever.

In November 2009 they played an important gig at London club La Scala with Mikro. That was surely a major feat for two Greek Bands. They have since played London again at Ballyhoo club as part of The Electricity Club's TEC002 with Fotonovela (Nick and George, their producers and additional live musicians)
And now we come to my third Marsheaux gig. On July 6 2011 in Athens, they supported 30 Seconds To Mars, and it was Jared Leto himself who asked for them to play.


I don't have a complete file of their gigs, but I suspect that this is the biggest audience they ever played in Greece (They have however performed on big festivals abroad, like Exit in Serbia). It was the first time I heard songs from their 3rd album live (I also heard "Can You Stop Me" which would end up on their 4th) and I was probably the only person who bought a Front-Of-Stage ticket to see the support band from up close (I also saw 30 Seconds To Mars from the FOS section, but from further back).
Since then they have released a 4th album ("Inhale", also out on vinyl in different colours from Canadian label Storming The Base), a rarities album ("E-Bay Queen Is Dead") and a best of compilation ("Odyssey" from Les Disques Du Crepuscule label).

And this brings us to my 4th Marsheaux gig, last February at the Death Disco club in Athens. Apparently this was their first own gig in Greece where they did not share the bill with other bands)
 
Setlist:
01. Sorrow (Intro)
02. Self Control (Intro)
03. Exit
04. To The End
05. Hanging On
06. Summer
07. Can You Stop Me?
08. Dream Of A Disco
09. Come On Now
10. Radial Emotion
11. Empire State Human
12. Computer Love
13. Secret Place
14. Alone
15. Tonight
16. Breakthrough
17. Popcorn
18. Inhale
Encore:
19. So Far
20. Promise
21. Dream Of A Disco
Encore 2:
22. Inhale

But it seems they were keen on spoiling us this year, because two weeks after that I went to my 5th gig at the Saristra In Athens festival!
Finally, apart from their live gigs, another important Marsheaux experience are their dj sets where you can literally dance your asses off. I have been to three so far: At Gazaki Club in 2011...


...at Sodade 2 club in 2012...

...and at the same club earlier this year one month before their gigs
And, as a bonus this year, this was preceded by a Fotonovela dj set at Horostasion club in January!
More about Marsheaux:
http://www.facebook.com/marsheaux
http://www.myspace.com/marsheaux
http://marsheaux.wordpress.com
http://www.undorecords.com/Marsheaux.html
"It's not 80's, it's synth-pop"