Showing posts with label Lycabettus Theatre. Show all posts
Showing posts with label Lycabettus Theatre. Show all posts

Wednesday, 22 September 2021

The Blues Brothers Band live in Athens July 2010

I am sure that you are all familiar with the Blues Brothers from the 1980 movie with John Belushi and Dan Aykroyd. They had however begun in 1978 as a sketch on Saturday Night Live and had already released an album before making the movie (and later released another one, apart from the soundtrack). The two brothers were John Belushi and Dan Aykroyd and their band consisted of well-established musicians (Steve Cropper, Lou Marini, Donald "Duck" Dunn, Matt "Guitar" Murphy among others). John Belushi sadly left us early in 1982. Nevertheless, the band reformed in 1988 and have been on the road since then, with different lineups, without of course John Belushi but neither with Dan Aykroyd who had already had a successful acting career. A sequel to the film was released in 1998, Blues Brothers 2000 with Dan Aykroyd reprising his role and John Goodman replacing John Belushi. They came back to Greece once again and on Wednesday 21, July 2010 they performed at the Lycabettus Theatre. (They were also due to appear in Salonica two days before that, but unfortunately their gig was cancelled because it was raining). In Athens the opening act was Matt O'Ree with a very good set. We love him because he's from New Jersey like The Boss. He even contacted me on my YouTube page where I had posted a video from that night to make sure that I made it clear that they were playing in Athens, Greece and not in Athens, Georgia! 

 


One hour later The Blues Brothers Band came on stage. From the original lineup Steve Cropper, Lou Marini and Alan Rubin were there. They started with a couple of instrumentals (Green Onions, Peter Gunn Theme) until the two singers (Jonny Rosch and Bobby Garden) gradually appeared. Highlights included my personal favourite She Caught The Katy (the song playing on the opening titles of the movie), Minnie The Moocher and of course Sweet Home Chicago.

They even brought a couple of kids onto the stage whom they awarded the honorary title of "Little Blues Brothers"! The best songs were left for the encore: 634-5789, Soul Man, I Can't Turn You Loose, and even Knock On Wood!




Setlist:
01. Green Onions
02. Peter Gunn Theme
03. Soulfinger
04. Going Back To Miami
05. Groove Me
06. She Caught The Katy
07. Messin' With The Kid
08. Shotgun Blues
09. Hey Bartender
10. Flip, Flop & Fly
11. Minnie The Moocher
12. (I Got Everything I Need) Almost
13. Sweet Home Chicago / I Can't Turn You Loose
Encore:
14. "B" Movie Boxcar Blues
15. 634-5789
16. Knock On Wood
17. Soul Man / I Can't Turn You Loose

Wednesday, 31 May 2017

A gig that changed my life - Marsheaux & OMD in Athens, 2007


It was 10 years ago today, when Marsheaux went on stage (June 1 2007 to be precise), at the Lycabettus Theatre in Athens. And within a few minutes my life was changed forever...
I had started my walk from Syntagma Square in the city centre all the way up to the top of Lycabettus hill. (There is a cable car there somewhere, but that day I didn't find it).






I arrived at the Lycabettus Theatre very early and the doors were still closed. As I was waiting outside I could hear the soundcheck. It was "Empire State Human",  originally by Human League with female vocals. "Who is singing Empire State Human now?" I thought. "In fact, Who remembers "Empire State Human" in the year 2007?" I wondered. "Marsheaux? Is that possible? We'll see"
I got inside when the doors opened and I went and sat at the back. I was not in a very good mood anyway. At some point Marsheaux came up on stage. They started with some downtempo songs of their own. (In fact it was "Hanging On" as I can now see from the video I dug out from my hard drive)

And suddenly, when the next song started, I heard a synth riff that reminded me of something. What did it remind me of? "The Promise" by When In Rome. And Marsheaux have covered that? Now? So did that mean that there were other people in Greece who remembered it? That helped my mood to start picking up, but still I could not imagine what would happen next. I heard another synth riff that reminded me of something. What? "Pure" by The Lightning Seeds! At that point I could not hold myself any longer, I got up from my seat, ran down the theatre stairs and went and stood at the first row to enjoy the rest of the concert from there.

And of course I heard "Empire State Human" and "Pop Corn" (an instrumental you must all have heard somewhere) and I started to notice their own tracks that I liked such as "I Dream Of A Disco". So, I finally found out what kind of music Marsheaux played: synth-pop. By that time I had forgotten that the reason I had gone to the Lycabettus Theatre that day was to see OMD. IInstead I discovered Marsheaux! (More on Marsheaux on that day and some of their later gigs on this post : Marsheaux Live In Athens 2007-2014).
"Thank you and have fun with OMD next" is what they told us as they came off stage. I was already at the front of the stage and I wasn't about to relinquish my position there. I noticed behind me a 44 year old guy with a 22 year old girlfriend who was telling her all about the music from the era of OMD. It already looked like it was going to be an emotional time and indeed it was as OMD came on stage. "We are old" said Andy McCluskey at some point. "We are old, too!" shouted the woman next to me. And some people were crying as they were singing along with the band.

In fact, as you will notice, most of the videos are unwatchable. Not only because of my 2007 digital camera being constantly shaken, but mainly because of audience participation. Yes, in several parts of the videos, instead of Andy's (or Paul's) vocals you will hear the words sung by the audience. "Out of tune" is too kind a phrase to describe them, but still, it shows you how enjoyable the whole experience was. (It's fun to see Andy do "the dance" on "Maid Of Orleans" though.)
As Andy said on the night, this was supposed to be the "Architecture & Morality" tour, but since it had taken them such a long time to come to Greece, they opted for a "Greatest Hits" set. And indeed all the hits were there. The title track from "Architecture & Morality" may have been playing while they came on stage, but then they launched straight into "Messages" and this was followed by "Joan Of Arc", "Maid Of Orleans", "(Forever) Live And Die", "If You Leave", "Electricity", "Sailing On The Seven Seas", even "Walking On The Milky Way". And of course "Enola Gay".



As I was slowly walking down Lycabettus Hill after the gig, I knew that I would remember this as one of the best gigs I have ever attended. And certainly one of the most emotional...


Thursday, 24 July 2014

Marsheaux Live In Athens 2007-2014


Before we begin, let's go back in time a little bit. As far back as 1988 in fact. Around Christmas. When MTV Europe had first started broadcasting - terrestrially - in Greece. One of the first music videos I watched when I tuned in was "The Promise" by When In Rome.

I really liked the song, but in Britain, where I was studying, it did not exactly set the charts alight. I managed to find it as a 7 inch single in the bargain bin of a record shop for 50p.
A few months later, in the summer of 1989, I noticed another great music video on Sky One which was also being transmitted in Greece: "Pure" by The Lightning Seeds. When I went back to Britain in the autumn I bought the 7 inch single as well. Again, from the bargain bin.

The years went by and we finally reached 2007. These two songs were still among my favourites and I thought I was the only person in Greece who remembered them. During that winter however I saw this commercial on TV:

Apparently somebody had covered my beloved "Pure". But who could it (they, actually) be?
I had already heard of Marsheaux since 2003. It was the time when Kylie Minogue had released "Slow" and as I read on Nitro magazine, Marsheaux was a Greek band comprised of two girls, Marianthi and Sophie (that's where their name came from (Mar[ianthi] + S[h]o[phie] = Marsheaux - geddit?) who were also known abroad, enough known so that they were commissioned to remix that particular track. Judging from that article, I could not understand what kind of music they were playing, but since they were doing remixes, I assumed that they played dance music (what we would now call EDM).  During that time their first album (E-Bay Queen) was released, but I didn't happen to listen or read anything more.
I heard about them again in 2006, when the Eurovision Song Contest was held in Athens. The Greek Public Television broadcaster (ERT) commissioned various new Greek artists to cover older Greek Eurovision entries. Thiese covers were collected in an album called "Eurorevisions". On this album, Marsheaux covered our 1996 entry "Emeis Forame To Heimona Anixiatika" (tranlslates as "We Wear Spring Clothes During The Winter") originally performed by Marianna Efstratiou. I heard the song, I saw them performing it on TV, but I did not think it was representative of their style. And then I forgot about them again.
Until the BIG DAY came, Friday the 1st of June 2007. That was the day when  OMD (Orchestral Manoeuvres In The Dark) were performing in Athens. You know OMD, those who had a big synth-pop hit in the 80's with Enola Gay. And if you don't know Enola Gay, you may know Electricity (In fact I happen to know some hardcore rock fans who claim they don't like synth-pop, but give it all on the dancefloor whe this song is played at parties). So, Marsheux were supporting OMD that day. Many years before that an OMD concert in Athens was cancelled, so I was determined I was not going to miss them this time. I arrived at the Lycabettus Theatre very early and the doors were still closed. As I was waiting outside I could hear the soundcheck. It was "Empire State Human",  originally by Human League with female vocals. "Who is singing Empire State Human now?" I thought. "In fact, Who remembers "Empire State Human" in the year 2007?" I wondered. "Marsheaux? Is that possible? We'll see"
I got inside when the doors opene and I went and sat at the back. I was not in a very good mood anyway. At some point Marsheaux came up on stage. They started with some downtempo songs of their own.

And suddenly, when the next song started, I heard a synth riff that reminded me of something. What dit it remind me of? "The Promise" by When In Rome. And Marsheaux have covered that? Now? So did that mean that there were other people in Greece who remembered it? That helped my mood to start picking up, but still I could not imagine what would happen next. I heard another synth riff that reminded me of something. What? "Pure" by The Lightning Seeds! So it was Marsheaux who covered it and it was used on that TV spot! At that point I could not hold myself any longer, I got up from my seat, ran down the theatre stairs and went and stood at the first row to enjoy the rest of the concert from there.

And of course I heard "Empire State Human" and "Pop Corn" (an instrumental you must all have heard somewhere) and I started to notice their own tracks that I liked such as "I Dream Of A Disco". So, I finally found out what kind of music Marsheaux played: synth-pop. I went to see OMD and instead I discovered Marsheaux!
The next day I logged on to the internet to learn more about them and to order their CD's.  (their first, "E-Bay Queen" and their second "Peek-A-Boo" which had come out some time before). I ordered them and waited for them to arrive so that I could rip them onto my MP3 player and listen to them during my summer holidays. Of course, thanks to the Greek Postal Service, they arrived after I had come back from my holidays, but there you go.

Just a bit after new year's day 2008, I learned that they started their own (now defunct) internet forum. Through it I found that there were Marsheaux fans all over the world. From Scotland, England, Sweden, Germany, France, even USA - there was a fan from Tampa, Florida, where I used to work in the year 2000!) . And I think I was the only Greek in there! From that forum I also learned that there was still a synth pop scene and about new bands like Parralox, Little Boots and La Roux. And in order for you to get an idea of how well known Marsheaux are outside Greece I will tell you this: When some friends of mine had gone to  Barcelona for a Bruce Springsteen concert in 2008, they sat in a fast-food restaurant to eat and suddenly Marsheaux started blasting through the speakers! And Recently, I found out that there are also fans in Peru.
Around that time when the forum was started, they announced the release of a vinyl-only 7" single "Ghost" (the cover of which glows in the dark!
My second Marsheaux gig was a free one during an event called "Athens Digital Week" on October 18 2008. A little while after that they supported  Roisin Murphy when she played in Athens (but I was abroad)



In 2009 they released their 3rd album, "Lumineux Noir", which contained no cover versions. A very smart move, because otherwise they might have been accused that their success was based on their covers, meaning songs that people are already familiar with. I'll admit it myself that my interest was sparked with their "Pure" and "Promise" covers, but I became a fan when I heard their own songs like "I Dream Of A Disco", "Computer Love", and "Summer" among others. Therefore "Lumineux Noir" stands on its own merit and with no outside help. And according to many fans (myself included), it's their best album ever.

In November 2009 they played an important gig at London club La Scala with Mikro. That was surely a major feat for two Greek Bands. They have since played London again at Ballyhoo club as part of The Electricity Club's TEC002 with Fotonovela (Nick and George, their producers and additional live musicians)
And now we come to my third Marsheaux gig. On July 6 2011 in Athens, they supported 30 Seconds To Mars, and it was Jared Leto himself who asked for them to play.


I don't have a complete file of their gigs, but I suspect that this is the biggest audience they ever played in Greece (They have however performed on big festivals abroad, like Exit in Serbia). It was the first time I heard songs from their 3rd album live (I also heard "Can You Stop Me" which would end up on their 4th) and I was probably the only person who bought a Front-Of-Stage ticket to see the support band from up close (I also saw 30 Seconds To Mars from the FOS section, but from further back).
Since then they have released a 4th album ("Inhale", also out on vinyl in different colours from Canadian label Storming The Base), a rarities album ("E-Bay Queen Is Dead") and a best of compilation ("Odyssey" from Les Disques Du Crepuscule label).

And this brings us to my 4th Marsheaux gig, last February at the Death Disco club in Athens. Apparently this was their first own gig in Greece where they did not share the bill with other bands)
 
Setlist:
01. Sorrow (Intro)
02. Self Control (Intro)
03. Exit
04. To The End
05. Hanging On
06. Summer
07. Can You Stop Me?
08. Dream Of A Disco
09. Come On Now
10. Radial Emotion
11. Empire State Human
12. Computer Love
13. Secret Place
14. Alone
15. Tonight
16. Breakthrough
17. Popcorn
18. Inhale
Encore:
19. So Far
20. Promise
21. Dream Of A Disco
Encore 2:
22. Inhale

But it seems they were keen on spoiling us this year, because two weeks after that I went to my 5th gig at the Saristra In Athens festival!
Finally, apart from their live gigs, another important Marsheaux experience are their dj sets where you can literally dance your asses off. I have been to three so far: At Gazaki Club in 2011...


...at Sodade 2 club in 2012...

...and at the same club earlier this year one month before their gigs
And, as a bonus this year, this was preceded by a Fotonovela dj set at Horostasion club in January!
More about Marsheaux:
http://www.facebook.com/marsheaux
http://www.myspace.com/marsheaux
http://marsheaux.wordpress.com
http://www.undorecords.com/Marsheaux.html
"It's not 80's, it's synth-pop"

Monday, 31 March 2014

The Love Affair Between Scorpions And Greece


To be fair, Greece has a "love affair" with a few other groups as well. The most common example,(after Scorpions) is Puressence (now disbanded). Then it's James, followed by Placebo, even Depeche Mode. All these bands visit Greece on every one of their tours. And if, in the case of Depeche Mode, it can be said that they are popular all over the world, Puressence only have such a big fanbase in Greece (They even used a Greek model on the cover of their latest compilation album). And Scorpions of course. When they were asked to do an "MTV Unplugged" show they immediately asked to do it in Greece. They knew that in no other country would they sell so many tickets, even in the midst of a recession.
So how did this happen? I will try to explain it from my own point of view, they way I've experienced it through my teenage years at school. This was in the 80's (and please put your calculators away). Now school kids in those days would listen to different kinds of music, although Greek music wasn't as popular in those ages as it is now. Disco had been out of fashion several years before, so it wasn't a case of a "rock - disco" rivalry. Probably more of a "rock - pop" rivalry, or a "hard rock - pop" one. Scorpions were considered to be "hard rock" or even "heavy metal" by the Greek teenagers of that era. And there were those who would listen to music from both genres but only one was considered "serious music". So what was considered "serious music" back then? Well, definitely rock, not pop, and only certain groups. Number 1 on the "seriousness" category were The Doors. This was supposed to be because of "the messages" carried in their lyrics, but then again it could be because Jim Morrison was such a big hunk (Well, most of their fans were girls, so I rest my case). Scorpions did not have these big "messages" in their lyrics like The Doors but their lyrics (especially on their slow songs) were all about LOVE and that was enough to make teenage girls weak at the knees. And it was their slow songs that were most popular. Think : "Always somewhere...I'll be back to love you again..." (Everybody now : "Aaaahhhhh!"). Now, what about us boys? Well, those of us who were rock fans would rather listen to AC/DC, Motorhead and Iron Maiden, but Scorpions was the only chance for us to dance "the blues" at parties. So, what do The Scorpions have to do with the blues? Nothing. Neither did Bonnie Tyler or George Michael for that matter. But somewhere along the line something was lost in translation and slow songs of any kind came to be known as "the blues" among teenage Greeks. So, even if we didn't like the Scorpions, WE HAD TO LIKE THEM, because this was our only chance to dance close at parties with a girl ("close" meaning "touching").
Well, all those years later, those teenage boys and girls have grown up, most of them have their own families and responsibilities, many of them probably don't listen to music anymore (well, certainly not rock music) but when they hear that "Scorpions are coming to Greece" something seems to move inside them and they rush out to buy tickets.
So the Scorpions keep on coming to Greece. Somehow though, I always missed them. Even in the 90's when I was studying in Britain, they came for a UK tour and my Greek fellow students asked me to go with them but I couldn't for some reason (Probably I didn't have enough money). Finally in 2006 I decided to go when they came to Athens to play together with Whitesnake (and I must admit I enjoyed Whitesnake more). Well, I thought I was done with them.


The only thing bugging me was that they did not play any songs from their early years with Uli Jon Roth (eg songs like "Pictured Life" and "In Trance"). The next year, 2007, they came again, and they did play songs from that era, but I was abroad to see The Rolling Stones.
Finally, 4 years ago they announced that they were finally disbanding and that they would come to Athens for one final concert. Some friends wanted to go, so I went with them, but once again they did not play anything from their early years.



While waiting in line to get in the venue, I was handed a flyer announcing that Uli Jon Roth was coming with his own band, so I went to that one as well and finally got to hear those songs.




We all know what happened next. They decided not to disband and they came for 3(!) MTV Unplugged dates (And all 3 were sold out). So why did I go? Well, probably because I thought it would be something different playing with acoustic instruments and several guests (one of them was Morten Harket, the singer from A-Ha singing on "Wind Of Change" but I did not recognize him after all these years), probably because the show would be later released on DVD and I would have a souvenir, probably it was just a "WTF?" factor.














MVI_1642 από papdx
But I did go in the end and in a way I was glad because they finally played "Pictured Life" and "In Trance" in my presence...