Thursday, 3 December 2015

Greeks In Debt Crisis Want To Dance


It was a strange journey we embarked upon on the morning of the 11th of July this year. With Greece technically bankrupt, the banks closed, credit cards blocked abroad, we were at least able to begin our trip because we had already paid for most of it beforehand. We had paid for our plane, train and concert tickets by credit card months before. Our accommodation was booked using credit cards to secure them - some of them with a deposit - but not fully paid. Thankfully there was no attempt from our hotels to withdraw money from our credit cards (which wouldn't have worked) so we were able to pay them cash when we got there. Plus, we had enough cash on us for our expenses.
Now Greece (and to be more precise, the city of Patras) is connected directly to Ancona by ferry. However, our journey as we planned it, (plane to Rome, train to Ancona and then back the same way) was cheaper (Italian Train tickets can be especially cheap if booked in advance). Plus, it made for a more interesting trip because it included two nights stay in Rome. However, our small vacation is going to be discussed in another post, here I am going to concentrate on the Belle And Sebastian concert.
But how were Belle And Sebastian chosen as this year's summer concert abroad? First of all, my usual check of all the summer concerts in Italy did not produce anything interesting (well, interesting enough to make a trip worthwhile anyway). And then I remembered that the best album of the year so far for me was "Girls In Peacetime Want To Dance" (I had actually written a review of it in this very blog here), which I suspected (and now that we are in December I can actually confirm) that it was going to be my choice for best album of 2015. So, if they had an album out they should be going on tour, right? Right, but their European tour was scheduled for November if I am not mistaken. Thankfully, they had planned two outdoor dates in Italy for the summer (presumably because their frontman Stuart Murdoch's wife is Italian and he spends a lot of time in the country?) Anyway, the first one was in Ancona and the second one was the following day in Sesto Al Reghena). We were lucky that we chose to go to Italy because November's European tour was eventually cancelled due to Stuart's illness. We were at first interested in the second date at Sesto Al Reghena for which we were going to fly to Milano instead of Rome, but my research showed that it would be very difficult getting there, especially as there seemed to be no train connection). So, we finally settled for Ancona and we did not regret it. Our hotel was directly opposite the train station and the venue was within walking distance from our hotel. Plus, the venue itself, judging from the first photos of it we found on the internet, seemed quite remarkable. A castle in the water!  And that's indeed what it more or less was.
Mole Vanvitelliana, also called the Lazzaretto Of Ancona, is an 18th century building constructed on an artificial island for the purpose of serving as quarantine station and Leprosarium for the town. Now it is used as a site of the museum Tattile Omero, as well as home for various exhibitions. When we arrived in Ancona we immediately went for a walk to check it out.

It was too early, no preparations were made for the concert on the outside, but we sneaked in and managed to find the exact space in the building where the concert was going to take place. We saw the stage and spotted Stuart Murdoch at the side of it.
We went back to our hotel and returned later at a time which was much closer to the one the concert was about to start. We looked around at an exhibition that was taking place and at some point my girlfriend went in search of the restrooms.

Well, what do you know, a few minutes later, she came back with a photo of her and Stuart Murdoch on her iPad! By that time preparations for the concert had started and we went around the building to the place we would all enter from. Not a lot of people were gathered there at the time so, we thought we had a good chance of a front row seat. And suddenly Stuart appeared again, signing our tickets and our special "Greeks In Debt Crisis Want To Dance" banner that we had prepared beforehand. And he posed for photos with us and the Greek flag! After that Stuart left the venue, presumably to go back to his hotel, on foot!


It wasn't a long time after that that we were allowed in and we rushed and of course got our front row seats. The concert would take place at the building's courtyard, but in a corner of it. On another corner were the merchandise stands and a canteen serving food that was cooked on the spot. Plus there were also tables to sit and eat.

While I was waiting at the food queue for something to eat (and a beer of course), the first act, Italian singer Maria Antonietta with just her guitar came on. A short but very nice acoustic set from a very good singer (since then I have discovered several of her videos on YouTube).

The biggest surprise came up next. Matinée are an Italian indie band based in East London. Chris Geddes from Belle And Sebastian described them as "anthemic indie rock with electronic flourishes". They were named after Franz Ferdinand's hit song. Their set was so good that I rushed back to the merchandise stand and bought their CD "These Days"

After a short break the lights went off and Belle And Sebastian came up on stage starting with "Nobody's Empire". The problem was that the lights stayed off so we were listening to the band in darkness until they finally came on 1 minute and a half into the song. 

Then, after "I'm A Cuckoo", they went back to "Girls In Peacetime Want To Dance" with "The Party Line". 

In fact they played 5 songs off their latest album ("Nobody's Empire", "The Party Line", "Perfect Couples", "The Power Of Three" and "Allie") and I certainly am not going to complain about that since, as I have already mentioned it is my favourite album of the year. 
Needless to say, we soon abandoned our seats and went to stand at the front of the stage! At some point between songs Stuart asked "Where are you people from? Is there anybody here from Ancona? Because I've been meeting people all day, and they're all from different Italian cities...". Some people answered "Milano", others "Rome", "Florence" and so on at which point we raised our flag and shouted loudly "Greece". Suddenly we heard a huge roar of applause behind us. The crowd was cheering at us, aware of the situation back home. 

Later at another break between songs Stuart said "You know what I think we should do now? We should take one of these boats that are out there on the port and go to Greece to play a free concert for the people there" which brought another huge roar of applause not just from us but from everybody. Nice thought Stuart, but I don't think any Greek promoters would be bothered about something like that.

And the concert went on with highlights being the attempt to recreate the video for "Jonathan David" which did not go exactly as planned, inviting people to come up on stage to dance on "The Boy With The Arab Strap" and finally, at the end, "The State I Am In" from their first album.












And that was it for our best concert of the year at a wonderful location. After grabbing a copy of the setlist from the stage, we slowly started walking back with the Italian friends we met there for a bite to eat and a drink before going back to our hotels.

Get well soon, Stuart... 

Thursday, 12 November 2015

Beth Hart @ Technopolis on default day


Let's turn back the clock about 15 years. I used to make a lot of compilations using my CD recorder (like I did with my tape recorder before that). Having just visited the States I had already compiled one CD called "The New York Collection". Now I was compiling "The LA Collection". I had already picked several songs from my collection that had some connection to Los Angeles and Southern California in general. But there was space on the CD for one more song. So I searched the internet with the keywords LA + Song and it brought up Beth Hart's "LA Song". When I listened to it while paying attention to the lyrics I knew that it was the perfect closing track for my CD.


15 years later Beth Hart was coming to Athens. And she was not playing on just any day, but on that particular day that Greece was going to default on its payment to the IMF. Having come to the conclusion that I could not keep worrying about something the outcome of which I could not control, I chose to enjoy that "last day" with something which would make me feel good, lift my spirits and make my life worthwhile: music. Faced with a choice between Christine Lagarde or Beth Hart, I chose the latter.
It already was an overcast day when I arrived at Technopolis and it soon started raining while we were waiting for Beth to come on stage. It was also raining at Technopolis last year but unlike En Lefko Festival where it rained between Hooverphonic and Simple Minds (and then again after Simple Minds) this time it was raining during the gig and we had nowhere to go. Thankfully, the couple standing next to me gave me an extra umbrella and I managed to get through Beth's set without getting (too) wet.

Needless to say, Beth compensated us for all our troubles. And even though she didn't play "LA Song" (which was apparently scheduled to be the last song in the setlist according to the photo posted on her Facebook page two days later) I did not care one little bit. In fact I choose "Better Than Home" as my personal compensation for not playing "LA Song" which is also a ballad, but other songs in the setlist prove that she "rocks" as well (Especially the cover of "Whole Lotta Love".


The rain had already stopped by the time the gig was over and I went home feeling good and not caring one little bit about politics or economics on a day which for most Greek people was full of stress and worry for precisely those things. Because I, in the end, will always choose music.
We did manage to highlight Greece's problem in a gig abroad two weeks later. And the results exceeded even our wildest expectations. But that's coming up on my next post.
To paraphrase Beth: "Man, I gotta get out of this country..."
SETLIST:
01. Tell Her You Belong to Me
02. Can't Let Go (Randy Weeks cover)
03. Prisoner of Love
04. Bang Bang Boom Boom
05. One Eyed Chicken
06. I'll Take Care of You (Bobby “Blue” Bland cover)
07. Something's Got a Hold on Me (Etta James cover)
08. Delicious Surprise
09. Might As Well Smile
10. Leave the Light On
11. Better Than Home
12. Hiding Under Water
13. Trouble
14. Whole Lotta Love (Led Zeppelin cover)
Encore:
15. The Mood That I'm In
16. Sister Heroine
17. I'd Rather Go Blind (Etta James cover)
Encore 2:
18. As Long as I Have a Song
19. Spirit of God


Friday, 23 October 2015

Rockwave 20 Part 2 - Robbie Williams


After The Black Keys (and The Big Nose Attack, let's not forget about them), it was now time for the 2nd day of Rockwave Festival (21 days later than the first) and the second big name : Robbie Williams.
Now, I have mentioned before that pop gigs don't sell many tickets in Greece (unless it's Madonna of course) and the half-empty stadium at last year's Lady GaGa appearance was testament to that. Now if we add that to the fact that the ticket was much pricier than The Black Keys one, at a period when Greece is going through a deep economic recession it did not look promising... I assume that Robbie's fee was much higher, but hey, no hard feelings Robbie, you deserve it. Reports were mixed as to how many tickets were sold in the days leading up to the concert, but there were lots of promotions going on enabling fans to win tickets. We took advantage of one of these and we got two tickets for the price of one with my girlfriend.
Contrary to the first day of the festival, there was a VIP area at the front of the stage with higher priced tickets, so, once again we had to arrive early in order to secure  a good place since we only had standard tickets. And so we did, and we got a place right at the front of the standard ticket section having arrived even before the first band started playing.
The aforementioned first band were Inconsistencies which I've only recently read an article on a magazine about them. They were formed by a guy in his twenties, who having gotten tired of his office job after only five years decided to pursue his lifelong dream : music. So, full marks for dedication which seems to be paying off in his case.

Next on, were the band with probably the best and most imaginative name ever : Ex-Girlfriend's perfume. Even though at that time we probably wanted to sit down to conserve some energy before Robbie came, we were forced to sit up and take notice, first by their ska sounds and then by their stage presence.

Up next were Kovacs, the last act before Robbie and in their case their stage presence was dominated (and quite rightly so) by their singer. I was told that a couple of their songs were quite popular in Greece and I actually noticed some people singing along. However, as a friend of mine who was close to the stage later told me they were actually singing the title and just moving their mouths meaninglessly to the rest of the words. Oh well...



 By now it was time for Robbie and any fears that attendance might be poor were proved wrong. Terra Vibe was full. While waiting, "Uptown Funk" ny Mark Ronson and Bruno Mars was played on the speakers and the waiing crowd started singing along like it was being performed live!

But then Robbie came on with "Let Me Entertain You" partying like it was 1998 or something. He gave us the whole package "Come Undone", "No Regrets", "Rock DJ" were some of our favourites.

Plus... Having been told that there's a song of his that for some reason was only a hit in Greece and nowhere else ("Me And My Monkey"), he proceeded to play that too, although he normally does not include it in his sets. 
Plus... he played songs from his "swing" mode ("Supreme" was played in its swing version) and he sang a duet with his father. 
Plus... he seemed to be enjoying himself taking selfies, calling his friends back home on the phone and getting a girl from the audience up on stage to join him on a dance routine. 

Plus... Robbie is a big Queen fan and that's more important if you are a Queen fan as well like I am. So we got both "We Will Rock You" and "Bohemian Rhapsody" on the same night (And "I Love Rock 'N' Roll" by the way).
And finally seeing that he got such a warm reception he asked the audience to make a date with him in 18 months time. Now the audience may want to, Robbie may want to, but in order for a promise like this one to come true the organizers must want to as well. Said organizers this time let us enjoy the music without bothering us with self-congratulatory messages and celebrations about the festival's 20th anniversary. Although they did try to stir our political instincts by displaying the "Unf**k Greece" sign on the big screen which was made famous by U2.

It's important to note at this moment that before Robbie came on stage there was an ill-meaning rumour circulating among the audience that he was only going to perform for one hour. He most certainly proved this one wrong and so, one of the best concerts of this summer was over and we left Terra Vibe with the secret hope that in 18 months time we are indeed going to see him again...

SETLISTS:

Inconsistencies
01. Late Evening Runs
02. Foreign Str. Confessions
03. August 23rd
04. Sailed Away
05. Summer of '69 (Bryan Adams cover)
06. Who I Am
07. Birthmark

Ex-Girlfriend's Perfume
01. Run
02. Dansistor
03. Icarus
04. Cache Cache
05. Rome
06. Mindless
07. My Baby Blue
08. Flying World

Kovacs
01. Whiskey & Fun
02. 50 Shades of Black
03. Night of the Nights
04. Diamonds Are Forever (Shirley Bassey cover)
05. I've Seen That Face Before (LiberTango cover)
06. Hold On
07. Sunday Dress
08. Fool Like You
09. He Talks That Shit
10. When the Lady's Hurt
11. Diggin'
12. Shirley (Sound of the Underground)
13. 7 Day Fool (Etta James cover)
14. Wolf in Cheap Clothes
15. My Love
16. The Devil You Know
17. Song for Joel

Robbie Williams
01. Let Me Entertain You
02. Rock DJ
03. Monsoon
04. Come Undone (with "I Still Haven't Found What I'm Looking For)
05. Me and My Monkey
06. The Road to Mandalay
07. Minnie the Moocher (Cab Calloway and His Orchestra cover)
08. Feel / Angels / Wonderwall / Supreme (just vocals by Robbie & fans)
09. Swing Supreme
10. Ignition (R. Kelly cover)
11. Better Man (with his father Pete on stage)
12. We Will Rock You / I Love Rock 'n' Roll
13. No Regrets
14. Candy (with Conga outro)
15. Feel
16. Millennium (with "Royals" snippet intro and "99 Problems" snippet)
17. Kids (with "Whole Lotta Love" riff intro)
Encore:
18. Bohemian Rhapsody (Queen cover)
19. She's the One
20. Angels
21. My Way (Claude François cover)

Monday, 28 September 2015

Meet Restless Ocean

When I went to see Mamma Kin back in December of 2013, little did I know that this was going to be their last gig ever. Sadly Mamma Kin have now disbanded. Their singer though is in a new band called Restless Ocean and back in June I was happy to attend their first ever gig.
The night was opened by Violent Cartoons and you can check them out for yourselves since a few days after this gig, they released their debut EP which is free and you can get it here!


Restless Ocean went on next. On their BandCamp page they describe themselves as "Influenced by both older and contemporary bands, their music is an alternative mix of garage rock, blues and 70's punk". I am confident that we can expect a lot from them in the future since they are apparently working on their new album now. Meanwhile, on that night they gave us an enjoyable 11-song set.

One more important thing to note: There was another band, Bad Treat appearing after Restless Ocean. Unfortunately, I could not stay to see them since I had to hurry in order to catch the last train and bus home. I promise I will try to attend one of their gigs in the future. The funny thing is that looking back to the poster from that last Mamma Kin gig I just realized that Bad Treat were also due to appear on that night but for some reason they didn't... Oh well... So, one more time: I promise I will try to attend one of their gigs in the future...

SETLIST:
01. Your Addiction
02. More
03. Lose Our Minds
04. Pieces Of Me
05. Going Down
06. See You There
07. Rainy Days Revisited
08. Not The Same
09. Down To The Ocean
10. Valley Of Death
11. Let Me Be

Wednesday, 16 September 2015

Rockwave 20 Part 1 - The Black Keys and The Big Nose Attack


After last year's fiasco (for which of course Eric Burdon was not responsible), the organizers of Rockwave Festival must have realized that they needed big names, for this year's 20th anniversary in order to bring the crowds back. And so they did: The Black Keys, Robbie Williams along with an artist that is a sure-fire success when he performs in Greece, Manu Chao. The only weird thing was that the festival's 4 days were spread over the space of approximately 3 weeks although I guess that this has got to do with the availability of the artists.

But first, let's talk about the negative things to get them out of the way Surprisingly enough those were similar to the ones before the Lady GaGa concert where some Greek rock fans were bullying those who wanted to see her, because she wasn't "rock enough". But why would a similar thing happen for a Black Keys concert? Surely, The Black Keys are a rock band, aren't they? Well, there are several reasons those "Greek rock fans" got upset. One was the fact that The Black Keys are popular among a younger audience in this country, who apparently don't listen to other rock acts. They were also accused of being familiar with only one of their songs "Lonely Boy" which was indeed very popular here. Another complaint these fans had was targeted towards The Black Keys themselves, namely that they "sold out" after their first two albums, don't play the same kind of "raw blues-rock" anymore and that they mostly played songs from their last three albums which were deemed to be "very commercial". Finally some complained that "the sound was bad", but a friend of mine who is a sound engineer assured me that the sound was great (And, the sound quality may vary at different spots in the venue anyway). As I have said before  these people seems to me that they are in possession of a very particular device called the "Rock-O-Meter" which apparently measures how "rock" an act is. And those who fall below the standard that they have set are condemned...
Anyway, enough nagging, let's get on with the music. Puta Volcano, the first band were playing as we arrived and settled down so we didn't get to hear much from them.
The next band on the bill though, was the reason I insisted on getting to Terra Vibe early (apart from securing a good spot). Readers of this blog will know that The Big Nose Attack are a regular feature here and that's because I regurarly attend their gigs, stand-alone, or support sets. But that was not all. What was really special this time was that they would be appearing on the same bill as The Black Keys, a band that they themselves have admitted that they've been influenced by (apart from the obvious similarities like two members in both cases). And from what I saw on the web the following day, they did get to meet The Black Keys backstage and take several wonderful photos with them! So that was a support set I definitely did not want to miss. And I didn't. They played a very good set as usual (with stunning and "fiery" visual effects) and yes, "That Girl" was included although Elena Pitoulis could not be found in the audience to do it with. Oh and they debuted their new gear having ditched the navy "Paint It Blue" design in preparation for their new album which will be called, as they announced, ahem... "69". Oh and the forthcoming tour is pizza-themed, pizza being the band's favourite kind of fuel...


Before they left they stage they told us to watch out for the next band 1000Mods. I will admit that maybe the heat and the sun blazing down on us at that time was not the ideal setting for the "stoner rock" (as other blogs have called it) that they play, but even if you were not impressed by it you would have to admit that they really know how to get the most out of their instruments!


"We're The Black Angels and we're from Texas" announced the next band and as the sun was gradually going down and the heat started to dissipate we were happy that we were going to listen to some southern rock.


It was dark when the time for The Black Keys finally came and before they came on stage we realized that the organizers were determined to turn this into a celebration of the 20th anniversary of the festival with the laser projections targeted at the hills behind us.
 
All these were forgotten when The Black Keys did come on stage. We did not care anymore whether the audience was young or old whether they had gone too far into the mainstream or from which album the songs they were playing were. They delivered a great set that included not only songs from "Turn Blue", their latest album, but also my favourite "Run Right Back" and of course "Lonely Boy" for those who only knew that song.


What we did not get was an encore, because the organizers decided that they would come up on stage instead in order to receive our applause for their 20th anniversary. 
 

The projections screens informed us that the organizers team was thanking us. I'm sorry, but the feeling is not completely mutual. For the last 10 years we have been forced to travel to the end of nowhere to see our favourite artists (when they are our favourite artists and not some who have agreed to play for less money). Not to mention that when concerts were cancelled due to band members health reasons (understandable), no effort was made to reschedule them at a later date or the following year even though those artists were still on tour in Europe (The Rolling Stones and Depeche Mode come to mind). Or how about rescheduling a gig not only from a convenient venue (Olympic Stadium) to a far-off one (Terra Vibe) but also on a different date (I am of course referring to Roger Waters in 2013, although thankfully that decision was overturned after complaints and actions by the ticket holders). So remember dear organizers, it's not about you, no matter how many years you are celebrating, it's about The Black Keys and all the other bands we came to see. If you do your job properly we will be more than thankful every time...


SETLISTS:

Puta Volcano
01. Black Sand
02. New Song
03. Rockability
04. Indri
05. Indigos and Vulgars
06. Raindance
07. Await
08. Fou
09. The Sun

The Big Nose Attack
01. A Bite to Eat
02. All by Myself
03. Yeah! (That Girl)
04. Drunk & Gibberish
05. Adam & Eve
06. Left Alone
07. Wild Cherry
08. Down With Me

1000Mods
01. 7 Flies
02. Road to Burn
03. Claws
04. Low
05. Vultures
06. Set You Free
07. Big Beautiful
08. Vidage
09. El Rollito
10. Super Van Vacation

The Black Angels
01. Entrance Song
02. The Sniper at the Gates of Heaven
03. Yellow Elevator #2
04. Black Grease
05. Evil Things
06. The Prodigal Sun
07. You on the Run
08. Waterloo Waltz
09. Indigo Meadow
10. Better Off Alone
11. I Dreamt
12. Bloodhounds on My Trail
13. Bad Vibrations
14. Young Men Dead
15. Molly Moves My Generation

The Black Keys
01. Dead and Gone
02. Next Girl
03. Run Right Back
04. Same Old Thing
05. Gold on the Ceiling
06. Strange Times
07. Nova Baby
08. Leavin' Trunk
09. Too Afraid to Love You
10. Howlin' for You
11. I Got Mine
12. Money Maker
13. Gotta Get Away
14. She's Long Gone
15. Fever
16. Tighten Up
17. Your Touch
18. Lonely Boy
19. Little Black Submarines